Demonstrations

BIG Ground and Instant Coffee with Andrew Baldwin

Andrew Baldwin is probably most well known as the inventor of BIG (Baldwin’s Intaglio Ground) – the extremely versatile etching ground now used all over the world. He demonstrates the many innovative and exciting ways that BIG etching ground can be used to create non-toxic etchings. Discover how you can replace the traditional sugar lift using instant coffee and create beautiful mezzotints using emery paper.

Charcoal Screenprint Monotype with Nico Ras

Nico Ras, a graduate student at University of Johannesburg and frequent guest teacher at Artist Proof Studios (Johannesburg, South Africa), demonstrates a technique that uses charcoal dust and an exposed silkscreen to create delicate, ethereal monotypes.

Collagraph with Alessia De Bortoli

Collagraph is a very enjoyable printmaking technique, allowing diverse means of artistic expression. Using simple materials such as cardboard, paper, tapes, textures, and carborundum grit to create plates that can be inked and printed in a myriad of ways. Alessia De Bortoli shows us how to create a collagraph plate and the procedure for printing it both as an intaglio and a relief print, using an etching press.

DIY Soft Ground with Marnix Everaert

Marnix teaches Printmaking at the Academy for Visual Arts (Ghent, Belgium) and travels the world conducting workshops on sustainable printmaking. During this demonstration he shows us how to prepare a do-it-yourself soft ground for etching based upon two simple ingredients that are available everywhere, how to apply the ground, etch and print. Includes clean-up and how to use as little water as possible for the job.

Experimental Etching Resists for Copper Sulfate Mordant with Hanah Williams

As a studio educator in Printmaking at the University of South Australia (Adelaide), Hanah Williams teaches Eco-Aware Etching and Relief printmaking processes. In this demonstration, she presents etching resist techniques on aluminum in a copper sulfate mordant. Using different materials as resists gives artists the opportunity to experiment with mark making, texture and shape.

Non-Darkroom Photo Etching with Liz Chalfin

Join Liz Chalfin, founder of Zea Mays Printmaking, as she demonstrates an easy, non-darkroom method of photo etching on metal plates. Beginning with a photocopy, she shows us how to transfer the image to a metal plate, etch and print. This process removes the need for a darkroom and gives you an etched image that can be reworked with all of the etching methods we know and love.

Non-Traditional Photopolymer with Kate Baillies

Kate Baillies of Alberta Printmakers (Calgary, Alberta, Canada) is a dedicated researcher and digs in deep when she wants to understand a process or develop a new technique. This demonstration takes a walk on the spontaneous side as she guides us through the process of how to create painterly, richly textured images directly on a photopolymer plate.